Posts Tagged 'bloggers'

Documentary festival rolling in Thessaloniki

By Harry van Versendaal

Dancer-turned-filmmaker Bess Kargman’s award-winning “First Position,” a documentary about the toughness of mind and body demanded of young classical ballet dancers, will open this year’s 10-day Thessaloniki Documentary Festival (TDF), which gets under way on March 15.

The film follows a handful of boys and girls from various parts of the world as they train for the Youth America Grand Prix in New York City, a competition that could determine their future in the ballet world. The documentary has picked up numerous accolades, including a Jury Prize at the San Francisco DocFest and audience awards at DOC NYC and the Portland International Film Festival.

Now in its 15th year, the TDF has drawn a big following of movie buffs and filmmakers who make the annual trip to the northern port city for the rich crop of hard-hitting productions and interesting side events.

“Its success is not just measured by the high numbers of people who flock to its theaters every year,” said Konstantinos Aivaliotis, a visual anthropology expert who is currently doing research on the festival.

“The festival is really talked about abroad, ranking in the top five – if not top three – on the European doc fest circuit,” he said.

Despite the financial difficulties, organizers have managed to bring together about 200 films from 45 countries, as well as 58 local productions.

Alongside “First Position,” festival highlights include Kirby Dick’s Oscar-nominated film “The Invisible War,” a shocking account of rape and sexual assault in the US military. Based on more than 100 interviews, the Arizona-born director exposes the systemic cover-up of sexual crimes and the everyday struggle of victims – mostly women but also men – to rebuild their lives and find justice.

In his Sundance winner “Blood Brother,” Pittsburg director Steve Hoover travels to southern India to document his longtime friend’s mission to help children living with HIV and AIDS. The film won the Grand Jury Prize and the Audience award for American documentaries at what is the largest independent film festival in the US.

Dutch John Appel’s “Wrong Time, Wrong Place,” billed as a film about “how small, seemingly trivial events can upset the fine balance between life and death,” features discussions with five people who were caught up in the 2011 bomb attack in Oslo and the ensuing shooting spree on the island of Utoya where Norwegian far-right activist Anders Behring Breivik killed 77 people and wounded 242.

In “Forbidden Voices,” Swiss director Barbara Miller documents the lives of dissident bloggers in Cuba, China and Iran who use their laptops to fight for free speech and press freedom.

The organizers have also prepared a tribute to Chilean filmmaker Patricio Guzman, maker of the classic 260-minute trilogy “The Battle of Chile,” which chronicles the atrocities of the Pinochet regime. The 71-year-old director, who won five-star reviews for his 2010 philosophical cine-essay on history and memory, “Nostalgia for the Light,” has been booked for a workshop in Thessaloniki.

Uncomfortably relevant

Stuck in recession for a sixth year, debt-wracked Greece is struggling with severe austerity measures and sky-high unemployment. It’s a lethal mix that has fueled social turmoil and political polarization as reflected in the meteoric ascent of the country’s neo-Nazi Golden Dawn party. It all makes the doc fest uncomfortably topical.

“Documentaries can serve as an alternative news source and highlight issues that do not come up in mainstream media,” Aivaliotis said.

He says the crisis has not produced a major shift in subject matter, but at least a few of this year’s 58 movies seem to be influenced by the zeitgeist in one way or another.

“Neo-Nazi, the Holocaust of Memory,” shot by established TV journalist and documentarist Stelios Kouloglou, revisits the country’s path from the German occupation during World War II to the rise of Golden Dawn, which currently controls 18 seats in the Greek Parliament.

“To the Wolf,” a documentary-narrative hybrid shot in the mountains of western Greece by first-time directing duo Christina Koutsospyrou and Britain’s Aran Hughes, follows two shepherd families as they try to survive the Greek crisis. The production earned flattering reviews when it premiered at the Berlin International Film Festival in February.

Nikos Dayandas, who last year left Thessaloniki with the Film Critics’ Award for his film “Sayome,” returns with “The Little Land” to tell the story of a disaffected young urban couple who decide to try their luck on the remote Aegean island of Icaria.

The Greek economic crisis, which has touched all levels of society, also means that local documentarists – never a spoiled lot – will continue to struggle for funding. But on the other hand, they have technology on their side as digital video is making films cheaper to produce.

“The means [to make a documentary] are more accessible now and the need to cooperate has started to be more obvious, so I think we will continue to see fresh things from Greek creators,” Aivaliotis said.

Approximately 520 films will be available in this year’s Doc Market, including all those screened as part of the official program. Around 60 buyers will be attending from Europe, the USA and Canada.

Fortune cookies

Illustration by Manos Symeonakis

By Harry van Versendaal

Google “democracy” and “China” and you get Google. Following a series of highly sophisticated, government-guided attacks on its network, the world’s largest search engine has indicated that it might pull out of the world’s fastest-growing market. The Chinese may not quite have succeeded in nailing jello to a wall, to paraphrase Bill Clinton, but a shutdown of Google.cn would nevertheless be a setback for cyber-optimists who think that digital technology can increase the power of individuals fighting against authoritative regimes.

Google entered the Chinese market in 2006 on the condition it would accept official censorship. Google, of course, is a corporation; and corporations do not behave philanthropically. Nevertheless, the company’s decision was seen as being, at least partially, driven by its “don’t be evil” motto – an overriding belief in the liberalizing effect of information. Some evil, its owners suggested at the time, was unavoidable – or at least necessary if Google were to become the west’s Trojan horse behind China’s so-called Great Fire Wall.

The assumption was typical enlightenment optimism fanned by a faith in universal human progress powered by science and reason. More sober observers have denounced such dreamy optimism as an illusion – what British philosopher John Gray calls “the Prozac of the thinking classes.” Modernity has made us more effective, but it has not made us better humans.

The fact is technology is neutral. History is full of applications that have been used for benign as well as evil purposes – nuclear power, biotechnology, drugs and, now, the Web. The Internet carries in it neither despotism nor freedom. The unprecedented expressive capability and subversive potential of self-documenting bloggers and free-rights activists has come hand-in-hand with unprecedented state power to document, filter and identify dissidents as they leave their digital fingerprints throughout cyberspace.

But even pessimists should agree that although the experience of Iran, Burma and China has exposed the weaknesses of twitter revolutionaries in the face of a ruthless regime, the mere crushing of these cyber-driven protests and enhanced reporting across the globe has exposed the cracks in official depictions of reality. Iran’s mullahs are feeling the heat.

Google’s purportedly ethical concerns in the China standoff have prompted praise as well as skepticism. “Google’s motives may be mixed, but it has, at last, done the right thing,” an editorial in UK’s Guardian noted, while John Gapper, a business writer for the Financial Times, said that “it takes some guts to walk away from the world’s largest potential market.”

With only some 17 percent of search queries and 33 percent of revenue, Google’s share was dwarfed by that of home-grown rival Baidu. Doing business in China, some analysts insist, was simply not worth it.

Like Sarah Lacy, a columnist for TechCrunch, a Silicon Valley site. “I’ll give Google this much: They’re taking a bad situation and making something good out of it, both from a human and business point of view. I’m not saying human rights didn’t play into the decision, but this was as much about business,” she said. For Bill Thompson of the BBC, Google’s decision is inconsequential. “Threatening to pull out of China is like threatening to spit on a whale,” he said.

What many commentators seem to miss is that, in a capitalist world, economic and moral arguments often coincide. Even if Google is not interested in democratization per se, it still has a stake in the free flow of information. Google’s objective – providing easy and fast access to comprehensive and unbiased information – is best served in an open, uncensored environment. “Openness for China is a means to an end – prosperity and development – but not a value,” wrote Roger Cohen in The New York Times. It’s pretty much the same for Google.

Another point lost in the haze of China-bashing is that, again much like China, Google is itself a greedy, monopolistic behemoth, an egregious privacy-violator. For every term or phrase fired into its search box, the company will keep track of time, date, cookie ID, Internet IP address, and search terms (hence the rise of so-called “interest-based advertising”). Benevolent as the current owners of Google are, or claim to be, no one can be certain what the future holds – and not just for the simple reason that the company, like any company, may change hands. Technology is by nature unpredictable. The Industrial Revolution destroyed Britain’s social fabric but also provided the tools of Empire.

The unprecedented level of interaction makes the Internet the most powerful of media. Gloomy futurists have often warned against an Orwellian-type digital dystopia. What they, and Orwell, probably never imagined is that we would one day voluntarily feed Big Brother with our private information. As one of the Party slogans flashing on the walls of 1984’s Ministry of Truth noted, “Ignorance is strength.”


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